A Haystack on Icebergs with Katherine Gibson

Meet for a coffee and cake afternoon with Katherine Gibson to talk about re-drawing the economy and representations of the economy as a public realm we are all part of.

Sunday 6 Nov from 4-6pm
7a Vyner Street
London E2 9DG

Katherine has recently set up a new research initiative Re-drawing the economy: creating place-based images that can travel. The research is closely linked to the work of The Community Economies Research Network (CERN), which is comprised of 130 scholars and activists working in communities all over the world to imagine and enact non-capitalist economies.

 

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The economy represented as a Layer Cake with Icing, by the feminist economist Hazel Henderson, 1982

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Over the last 20 years CERN members have used visualisations of a diverse economy to expand the scope for economic action and legitimate economic politics across a broad front. The image of the diverse economy, originally represented as an iceberg, has travelled far and wide helping people and organizations to represent and transform economic relationships in a variety of settings from the rust belt of Australia and the USA, to the Solomon Islands in the Pacific, to inner city London and Paris, to rural communities in the Philippines. Their ability to translate the ethical concerns of community economies into images that can travel and increase user experience is at the centre of this project.

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Katherine Gibson is in London for a few days and we were going to meet to talk about the collaborative research on “Re-drawing the economy” which started in 2013 with a redesign of the “Economy as an Iceberg” by James Langdon for “Trade Show” at Eastside Projects (co-curated with Gavin Wade).

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Haystacks are moments to make conversations public.
Coffee and cake afternoons are regularly held by the women in Kathrin’s home village Höfen as a good format to talk and catch up.

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Please join us on for a
Haystack on Icebergs with
Coffee and Cake.

Sunday 6th November
from 4-6pm
7a Vyner Street
London E2 9DG

With coffee from Feral Trade (run by Kate Rich)
and  bring some cake to share if you want.

 

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About Katherine Gibson
Katherine Gibson is internationally known for her research on rethinking economies as sites of ethical action. She trained as a human geographer with expertise in political economy and, with her collaborator for over 30 years, the late Professor Julie Graham, developed a distinctive approach to economic geography drawing on feminism, post-structuralism and action research. The diverse economies research program they initiated has become a vibrant sub-field of study within the social sciences. In the late 1990s the collective authorial voice of J.K. Gibson-Graham led the critique of capitalocentric thinking that was blocking the emergence of economic possibility. The end of capitalism (as we knew it): a feminist critique of political economy published in 1996, was republished in 2006.

A Haystack on Gleaning with Natalie Joelle

Join us for a talk and conversation with gleaning specialist and Gleanologics founder Natalie Joelle.

glean, ɡliːn/, verb
1. intr. To gather or pick up ears of corn which have
been left by the reapers.
2b. To strip (a field, vineyard, etc.) of the produce
left by the regular gatherers.
3a. transf. and fig. To gather or pick up in small quantities;
to scrape together. Now chiefly with immaterial object,
esp. to glean information, to glean experience, etc.

–Oxford English Dictionary

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Wed 26th Oct 2016
7pm, 7a Vyner Street
London E2

Natalie Joelle is currently writing a transdisciplinary study of gleaning and it’s relationship to lean culture, funded by the Arts and Humanities Research Council. She has published on Georges Seurat’s drawing ‘The Gleaner’ and The Book of Ruth; her work forthcoming includes considerations of gleaning and lean language in the writings of Peter Larkin (Punctum), Jim Crace’s novel Harvest (Bloomsbury), contemporary agrotechnology (Routledge) and managerial glossaries (Palgrave).

Natalie is going to present and discuss her research on contemporary conditions and practices of gleaning.

Members from the UK Gleaning Network will also talk briefly about their initiative and upcoming activities.

We’ll be serving Thinning Soda and Gleaned Cider, made with fruit gleaned in Kent and produced by Company Drinks.

7a Vyner Street
UK London E2 9DG
Nearest Underground: Bethnal Green

Contact:
Kathrin Böhm
mail: kathrin@myvillages.org
mobile: 0044 7941 696515

“Gleaned” label designed by An Endless Supply

2016 Community Haystack

Come and scythe and celebrate the fourth annual Community Haystack in east London on Saturday 30 and Sunday 31 July 2016

Community Haystacks is a celebration of an ancient piece of common land -Walthamstow Marshes in east London one of the last expanses of semi- natural marshland left in London. This community haymaking event brings together local residents, conservationists, historians, activists and artists who join together to recreate the pre-mechanical hay harvest and revive traditions of scything and commoning.

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2016 Community Haystack flyer_Page_2

Towards a Museum of Contemporary Farming with Georgina Barney

Agricultural diorama, Science Museum, London, England, UKTowards a Museum of Contemporary Farming: A walk through and
discussion of agricultural dioramas in the Science Museum

Led by artist Georgina Barney with invited guests:
Guy Smith, Vice President of the National Farmers’ Union
Kate Genever, artist and farmer
Alice Carey, curator
Mary Cavanagh, Science Museum London

Wednesday 29th June 2016, 7:30-9pm
Agriculture Gallery
Science Museum
Exhibition Road
London SW7 2DD

Georgina Barney has been exploring the relationship between art and farming since her ‘GB Farming’ project in 2007, an eight month journey around fourteen farms across the UK. Celebrating the ten year anniversary of this project and closing her Kickstarter Campaign to publish ‘GB Farming’ as a book, she has invited speakers from contemporary art, the farming industry and the Science Museum to reflect upon how farming is collectively imagined  and how it is represented in art. Using the historic agricultural dioramas in the heart of London as a starting point, Barney invites proposals from the group on how to update the dioramas as an imaginary ‘Museum of Contemporary Farming’.
The event will take place during the ‘Science Museum Lates’ on Wednesday 29th June.  Please be aware that the building may be quite busy. We will start in the Agriculture Gallery at 7:30pm and be moving to a meeting room directly upstairs at 8pm.

 

Directions to the Agriculture Gallery: After entering the Museum from Exhibition Road walk through the Energy Hall directly ahead.  Take the stairs on your right. At the top of the stairs the Agriculture Gallery is on your right.

Alternatively, Kathrin Böhm will meet people at 7.15pm at the main entrance to the Science Museum on Exhibition Road.

 

About Georgina Barney

‘GB Farming’ was the first of a number of projects by Georgina Barney that explore the relationship between ‘Art’ and ‘Farming’.  In 2007, she lived and worked on a series of fourteen farms, bearing witness in her blog and artwork to a wide spectrum of agriculture, from crofting and family farming to industrially-scaled ‘agri-business’ in the UK.  In preparation for its ten-year anniversary and the publication of a new book of ‘GB Farming’, Barney is hosting a series of events. Barney has worked extensively with farmers, farming communities and agencies such as the National Farmers’ Union to explore questions about farming in practice-led research. What is farming and how do we imagine it? How is farming represented in traditions such as the pastoral and naive livestock portraiture? Who has authority or authenticity to speak of farming? How should farming be represented in contemporary art?

Barney studied at the Ruskin School of Fine Art, Oxford University (2003-2006).  Her MPhil research project ‘Curating the Farm’ was funded by the Arts And Humanities Council (2011).  She is based at PRIMARY, Nottingham.

georginabarney.com

https://www.kickstarter.com/projects/1621463073/gbfarming

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Scything in east London with Ida Fabrizio in June 2016

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Scything the Lea Valley

Join local scything instructor
Ida Fabrizio for two short scything sessions on
Wedneday 15th and
Tuesday 28th June
from 10am to 1pm.
The first session is for beginners who want an introduction into scything and learn about its benefits and how to use scything in an urban environment.
The second session offers a tutorial for improvers and those who want to practice their scything skills.
An introduction to peening and how to keep the blade sharp as well as health and safety will be part of both sessions.
Scythes and equipment are provided, but feel free to bring your own scythe.
Costs are £10/session.
Meeting point at 9.45 on both days is
WaterWorks Centre
Lammas Road (off Lea Bridge Road)
Leyton
London E10 7QB
To book a place please
e-mail kathrin@myvillages.org or call 07941 696515

A two-part Haystack event with Gaja Mežnarić Osole: Japanese Knotweed and Urban Foraging as Collective Performance

Spring has sprung and the Japanese knotweed season is upon us.
Please join us for the next Haystack in collaboration with Phytology and Company Drinks.

Urbana zetev-v zgodnjem oktobru smo pred staro Cukrarno nabirali japonski dresnik za pridelavo papirne kase_Foto_NatasaKosmerl

Friday 22nd April from 6.30pm at Phytology
Presentation and talk by designer Gaja Mežnarić Osole
about her work with the Ljubljana based Re-generacija collective and
their specific interest in Japanese knotweed.

Bethnal Green Nature Reserve
Middleton Street
London E2 9RR

Join us at the campfire, with food and drinks as always.
This event will take place whatever the weather.

Saturday 23rd April from 2.00 – 4.30 pm
Japanese Knotweed Foraging Walk and Syrup Making Workshop
at Eastbrookend Country Park in Dagenham.

Meet at Dagenham East Station (District Line) at 1.30 pm or at
2pm at the Millenium Centre in Eastbrookend Country Park,
Dageham Road, RM7 0SS.

About Japanese knotweed
Japanese knotweed is best know in this country as an invasive plant that needs to be controlled and it is obligatory to prevent the spread, see also www.gov.uk/guidance/prevent-the-spread-of-harmful-invasive-and-non-native-plants

The plant is classified as non-native and due to the damage its strong and quickly growing root systems cause to the built environment – it’s considered a huge economical and ecological threat. Yet the plant is edible – tastes like rhubarb – and contains a high level of antioxidants, which make the plant valued also for it’s medicinal qualities.

Japanese knotweed is mainly introduced through construction works,
when ‘infected’ soil gets imported into new developments, slowly spreading it from place to place. That is why the plant usually grows on ecologically damaged land, neglected urban areas or down the streams and rivers – in areas where the land and its soil was not treated without the necessary care.

Japanese Knotweed is best to be foraged from the beginning of April until end of May – that’s the time when the plant is still young and juicy. The shoots are great to use as as a substitute for rhubarb or asparagus, in drinks, snacks, pies ect.
We are planning to use the crop from the foraging walk for a new Company Drinks soda made in collaboration with Square Root.

About Gaja Mežnarić Osole
Gaja  is a Ljubljana (Slovenia) based designer working within Re-generacija collective. Their work focuses on re-introducing urban foraging as a collective performance through spatial and social engagement. The exploration assembles a harvest gathered through picking up edible plants, walking, talking to people, interviewing and facilitating workshops, cherishing spontaneity and unexpected encounters.

Focusing on the accepted ways of confronting the problems of domination of invasive species the designers started looking for ways to present Japanese knotweed not as an economic and environmental threat, but as a new opportunity to learn from contemporary natures and initiate new synergistic partnerships. By introducing ways to use Japanese knotweed as a local source of cellulose, a tasty snack or a natural dye they started to encourage new community economies, field works and had a chance of working within a trans-disciplinary field of collaborators in a rather organic, ever-learning manner.

About Company Drinks
Company Drinks is a Barking and Dagenham based community drinks enterprise which links the history of east Londoners ‘going picking’ in Kent to the set up of a new kind of company. As part of our year-round public programme of activities we organize monthly foraging walks in local parks. The Japanese knowtweed walk on Saturday 23rd April is part of our seasonal picking tours and we hope to turn the crop into another delicious Company Drinks soda.

Company Drinks has been initiated by the artist group Myvillages, with support from Create and the London Borough of Barking and Dagenham. www.c-o-m-p-a-n-y.info

About Phytology and the Bethnal Green Nature Reserve
The Phytology medicinal garden was established at the Bethnal Green Nature Reserve in 2014. This urban physic garden provides free food and medicine for local and surrounding communities.
The garden has been sown with over thirty-two varieties of indigenous plants common to the streets of London and urban ecosystems across the country.
Generally regarded as ‘weeds’, each plant has been selected for its historic and on-going use in phytotherapy and traditional medicine.
The physic garden grows in pollution free soil to ensure our plants are safe and suitable for daily use. Visitors are invited to harvest from the medicinal garden with the support and guidance of the Phytology team. Phytology aims to challenge ideas of use, value, resilience and the function of wildness within our urban ecosystem.
www.phytology.org.uk

For more information about the events and to get in contact please e-mail
Kathrin Böhm
kathrin(at)myvillages.org

or
Michael Smythe
info(at)nomad.org.uk

or call 07941 696515

Myvillages and Company Drinks

The February Haystack is a launch event for the recent Company: Movements, Deals and Drinks publication, edited by Kathrin Böhm (Myvillages) and Miranda Pope and published by Jap Sam Books.

Friday 26th February 2016 from 1-4pm.
Institute of Contemporary Art, The Mall, London SW1Y 5AH.
As part of the ICA’s Culture Now series.

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Company: Movements, Deals and Drinks in an art project in the shape of a community drinks enterprise. Artist Kathrin Böhm (Myvillages) and writer Miranda Pope (both editors of the recently published Company: Movements Deals and Drinks book), together with contributors economist David Boyle, journalist Seb Emina and Marijke Steedman, curator at Create, will be mapping out the projects ambitions, its status as an art work and the practical reclaiming of the term ‘company’

Initiated in 2014 by international artist group Myvillages Company: Movements, Deals and Drinks links the history of east Londoners going fruit and hop-picking in Kent to the set-up of a new community drinks enterprise in the London Borough of Barking and Dagenham. Between the early 1800s and the 1950s, up to 250,000 East Enders—mainly women and children—would leave London every summer to go fruit and hop picking in Kent, a ‘working holiday’ in the countryside which offered some income, fresh air and temporary independence from the everyday drag. This unique urban-rural relationship and culture survives vividly in the memories of those who went, and is the starting point for Company: Movements, Deals and Drinks. Based in the outer London Borough of Barking and Dagenham the project revisits the lived culture and shared history of the ‘picking days’ whilst extending the collective labour process further to complete a whole cycle of production, trade and reinvestment into a new kind of company.

The talk is followed by an informal get together at the Company Drinks bar in the ICA studio (until 4pm).

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Myvillages is an artist group founded in 2003 by Kathrin Böhm (UK/DE), Wapke Feenstra (NL) and Antje Schiffers (DE). The work addresses the evolving relationship between the rural and the urban, looking at different forms of production, pre-conceptions and power relationships. Current and recent projects include Vorratskammer / Pantry at House of World Cultures in Berlin (2011), Good News from Nowhere at the Architecture Foundation London (2013), Forms of Lending  Shape, A–Z Marzona Collection, Hamburger Bahnhof, Berlin and International Village Show (2014–2016) for the Museum of Contemporary Art Leipzig.

Kathrin Böhm is a London-based artist with a long-standing interest in the collaborative making and extending of public spaces through methods of collective production, distribution and usage. Böhm is the leading artist on Company: Movements, Deals and Drinks.

Miranda Pope is a London-based writer, editor and curator. Her work focuses on relationships between experimental curatorial practices and notions of the ecological and she is currently completing a PhD in the Art Department at Goldsmiths College.

The project was commissioned by arts organisation Create and was selected as the winner of the 2014 Create Art Award. It is supported by the London Borough of Barking and Dagenham. In 2015, the project registered as a Community Interest Company with the name Company Drinks.

The Company: Movements, Deals and Drinks book is the third book in an ongoing publication series with Jap Sam Books and designed by Mind Design.

To book a place please visit the ICA website.

For all other enquiries e-mail kathrin(at)myvillages.org
or call 07941 696515.

 

 

Rural Modernity, Everyday Life and Visual Culture

Book launch and talk with Rosemary Shirley 

Thursday 28 January 2016 from 7.30pm
7a Vyner Street
London E2 9DG

front cover

 

 

About the book
The countryside is so often portrayed as a place to be visited for holidays or to recharge the batteries, as a safe place of fresh air and cream teas. By looking at the English countryside through the lens of the everyday, Rural Modernity, Everyday Life and Visual Culture, attempts to disrupt this picture. This book explores rural as an inhabited and practised realm with lived rhythms and routines and an as an active and complex site of modernity.

In each chapter, pieces of visual culture including scrapbooks, art works, adverts, photographs and films, are presented as tools of analysis which articulate how aspects of the everyday might operate differently in non-metropolitan places. The book features new readings of the work of significant artists and photographers such as Jeremy Deller and Alan Kane, Stephen Willats, Anna Fox, Andrew Cross, Tony Ray Jones and Homer Sykes through this rural lens. Together with analysis of visually fascinating archival materials including early Shell Guides and rarely seen scrapbooks made by the Women’s Institute.

Published by Ashgate, 2015
www.ashgate.com

 

About Rosemary Shirley
Rosemary Shirley is a Henry Moore Institute Research Fellow 2015-2016 and Senior Lecturer in Art Theory and Practice at Manchester School of Art, Manchester Metropolitan University. She is interested historical and contemporary representations of the countryside, particularly in art, heritage, media and branding. In 2012 she curated the exhibition Always Greener: Views from the Contemporary Countryside for PM Gallery, Ealing and is currently working on a large scale exhibition about the idea of the rural idyll for 2017 at Compton Verney Art Gallery in Warwickshire.

 

Details:
The Haystack starts at 7.30pm and there will be food and drinks.
The book will be for sale on the evening – special launch price!

Nearest Underground Station is Bethnal Green.
For further information contact Kathrin Böhm.
E-mail: kathrin (a) myvillages.org
Mobile: 07941 696515

 

 

January 2016 Haystacks Dates

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First 2016 Haystack:

Rural Modernity, Everyday Life and Visual Culture

Book launch and talk with Rosemary Shirley

Thursday 28th of January at 7.30pm at

7a Vyner Street, London E2

 

 

Community Haystacks AGM

Saturday 23rd January at 2pm

at Waterworks Centre, off Leabridge Road

 

 

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A date for the AGM of the Community Haystacks Group will be announced soon.

Haystacks meets Kreuzberger Salon

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The October Haystack will take place on Friday 2nd October in Leipzig, in collaboration with Miriam Wiesel and Axel Schmidt who are running regular events in Berlin, called the Kreuzberger Salon, which also address rural-urban relationships.

More details to be published soon.

The event is part of Myvillages’s International Village Show at the Museum of Contemporary Art in Leipzig – a two year long exhibition and events programme that brings the various projects and interests of Myvillages together under one roof.